| [ˀwpṭyn] | SbS 10:5 | ܐܝܕܐ ܐܚܝܢܘܼܬܐ ܐܝܐܬ ܠܡܢܿܬܐ ܗܿܝ ܕܡܼܬܩܲܪܝܐ ܐܘܼܦܛܝܢ ܠܘܬ ܗܿܝ ܡܼܨܥܝܬܐ
| what relationship is there between that string called "highest" and that middle one |
| hphybdwmws | SbS 10:9 | ܗܿܘ ܕܬܡܢܝܐ ܠܗܿܘ ܕܫܒ̈ܥܐ܂ ܡܛܠ ܕܗܦܗܝܒܕܘܡܘܣ ܐܝܬܘ܊ ܗ܊ ܕܥܠ ܫܒ̈ܥܐ
| that (relationship) of eight to seven, because it is 1/7 more than seven |
| mḥbkw, mḥbkwtˀ | SbS 11:25 | ܗܿܘ ܡܿܢ ܓܝܪ ܓܠܝܼܙ ܡܢ ܡܚܲܒܟܘܬܐ܂ ܗܕܐ ܕܝܢ ܩܲܢܝܐ ܠܗܿ ܠܗܕܐ
| for that (shape) lacks the combination (of number and size) while this one has this |
| tryny | SbS 12:20 | ܟܠ ܓܝܪ ܣܒܝܣܐ̈ ܐܘܿ ܚܕܢܝ ܩܝ̈ܡܐ ܐܝܬܘ܊ ܐܘ ܬܪ̈ܝܢܝ ܩܝ̈ܡܐ
| every structure is either one-dimensional or two-dimensional |
| zwgny | SbS 15:2 | ܡܢܝܢܐ ܙܘܓܢܝܐ ܐܝܬܘܗܝ܂ ܗܿܘ ܕܡܲܨܝܐ ܕܢܬܦܿܠܓ ܒܬܪ̈ܝܢ ܦܘ̈ܠܓܐ ܕܫܿܘܝܢ ܠܚܕ̈ܕܐ
| an even number is one that can be divided into two halves that are equal to each other |
| ˀpzgny | SbS 15:5 | ܘܡܢܝܿܢܐ ܐܦܙܓܢܝܐ ܡܬܦܿܠܓ ܠܬ̈ܬܐ ܙ̈ܢܝܐ
| odd numbers are divided into three kinds |
| [ˀrmwnyˀ] | SbS 16:18 | ܡܘܣܝܩܝ ܐܝܬܝܗܿ܃ ܝܘܠܦܢܐ ܬܐܼܪܝܛܝܩܝܐ ܕܐܝܬ ܠܗܿ ܗܘܿ ܕܣܝܼܡ ܢܥܡ̈ܬܐ ܘܐܪܡܘܢܝܐ ܕܐܝܬܝܗܿ ܠܚܡܘܬܐ
| music is the theoretical discipline concerned with tones and harmony, i.e., something that has agreemtn |
| swdsˀ | SbS 16:9 | ܦܼܠܓܐ ܘܬܘܠܬܐ ܘܣܘܕܣܐ܂ ܡܩܝܡ ܠܫ̈ܬܐ
| a half, a third, and a sixth add up to six |
| nqšh, nqštˀ | SbS 17:14 | ܢܥܼܡܬܐ ܐܝܕܐ ܕܢܿܒܗܐ ܢܩܿܫܐ ܕܡܢܼܬܐ
| the sound that springs from pulsation of a string |
| zmwmˀ | SbS 17:19 | ܬܠ̈ܬܐ ܐܢܘܢ ܩ̈ܠܐ ܕܡܬܐܡܪܝܢ ܕܐܝܬܝܗܘܢ܂ ܙܡܘܡܐ܂ ܘܗܿܙܓܐ܂ ܘܚܿܠܢܝܐ
| there are three named kinds of sounds (made by strings): humming, bile-like, and astringent |
| ḥlny | SbS 17:19 | ܬܠ̈ܬܐ ܐܢܘܢ ܩ̈ܠܐ ܕܡܬܐܡܪܝܢ ܕܐܝܬܝܗܘܢ܂ ܙܡܘܡܐ܂ ܘܗܿܙܓܐ܂ ܘܚܿܠܢܝܐ
| there are three named kinds of sounds: humming, bile-like, and astringent |
| hzg, hzgˀ | SbS 17:21 | ܬܠ̈ܬܐ ܐܢܘܢ ܩ̈ܠܐ ܕܡܬܐܡܪܝܢ ܕܐܝܬܝܗܘܢ܂ ܙܡܘܡܐ܂ ܘܗܿܙܓܐ܂ ܘܚܿܠܢܝܐ
| there are three named kinds of sounds: humming, bile-like, and astringent |
| ḥšwḥ | SbS 17:22 | ܕܐܦ ܗܼܝ ܡܢ ܦܠܓܡܐ ܚܫܘܚܐ
| that it, too, is a user of some phlegm |
| mpwḥ, mpwḥˀ | SbS 17:8 | ܪܘܝܚܘܬܐ ܕܚܪ̈ܘܪܐ܂ ܕܒܐܘܪܓܐܢܘܢ ܕܙܡܘܪ̈ܐ܂ ܘܪܚܝܼܩܘܬܗܘܢ ܡܢ ܡܲܦܘܚܐ
| (the sound made by strings depends also on) the spaciousness of the holes of the musical instrument and their distance from the bellows |
| sḥyḥw, sḥyḥwtˀ | SbS 17:8 | ܘܣܲܚܝܚܘܬܗ ܘܥܲܒܝܘܬܗ
| its fineness and its thickness (of a string on a stringed instrument) |
| mtnqšn, mtnqšnˀ | SbS 17:8 | ܪܦܝܘܬܐ ܕܡܬܢܲܩܫܢܐ
| the laxness of the plucked (string) |
| qštny | SbS 19:5 |
| |
| šq, šqˀ | SbS 22:8, 11 | ܫܲܩܐ ܐܝܬܘ܃ ܬܪ̈ܝܢ ܣܘܪ̈ܛܐ ܕܚܵܓܝܢ ܠܓܘܢܝܐ
| the leg is the two lines encompassing an angle |
| ḥwg | SbS 22:9 | ܫܲܩܐ ܐܝܬܘ܃ ܬܪ̈ܝܢ ܣܘܪ̈ܛܐ ܕܚܵܓܝܢ ܠܓܘܢܝܐ
| a leg is the two lines including the angle |
| ˁmwd, ˁmwdˀ | SbS 23:12 | ܐܬܩܪܝ ܣܘܪܛܐ ܗܿܘ ܥܡܘܕܐ
| that line (intersecting the base of a triangle) is called a "column" |
| mqˁr | SbS 24:24 | ܬܠܬܐ ܐܝܼܬܝܗܘܿܢ ܐܕܫ̈ܐ ܕܫܛܝܼܚܘܬܐ ܫܬܝܼܚܘ܊ ܫܛܝܼܚܬܐ ܘܡܩܲܒܥܬܐ܂ ܘܡܩܥܪܬܐ
| there are three varieties of surfaces: flat surface, convex, and concave |
| [pnṭygwnwn] | SbS 25:17 |
| |
| mdrwny | SbS 25:19 | ܡܕܪܘܢܝܐ ܐܝܼܬܝܗܿ܃ ܐܣܟܹܡܐ ܕܡܿܐ ܡܢܘ̈ܬܐ܂ ܕܡܫܲܪܐ ܡܼܢ ܚܘܕܪܐ ܘܡܫܲܠܡ ܠܘܬ ܚܘܕܪܐ ܐܚܪܢܐ ܕܕܡܿܐ ܠܗ
| cylindircal is a shape of similar parts that begins from circle and ends at another identical circle |
| qwnwsy | SbS 25:20 | ܫܛܝܚܘܬܐ ܩܘܼܢܘܼܣܵܝܬܐ ܐܝܼܬܝܗܿ܃ ܐܣܟܹܡܐ ܕܡܫܲܪܐ ܡܼܢ ܢܘܩܙܬܐ ܘܡܫܠܡ ܒܣܟܐ ܕܚܘܕܪܐ
| a conical surface is a shape that starts from a point and ends at the edge of a circle |
| mqˁr | SbS 25:6 |
| |
| mˁyn, mˁynˀ | SbS 26:24 | ܗܿܘ ܡܐ ܕܚܿܕܪ ܠܗ ܡܪ̈ܒܥܬܐ ܕܡܬܩܪ̈ܝܢ ܡܥܝܼܢ̈ܬܐ
| that figure surrounded by rectangular shapes called rhomboids |
| nsyr, nsyrˀ | SbS 26:25 | ܗܿܘ ܡܐ ܕܚܿܕܪ ܠܗ ܡܬܠ̈ܬܬܐ ܘܡܪ̈ܒܥܬܐ ܘܡܼܬܩܪܸܐ ܢܣܝܼܪܐ
| that (figure) surrounded by triangular and rectangular (surfaces) and called prism |
| mtlt, mtltˀ | SbS 26:7 | ܗܘ ܡܐ ܕܐܝܬ ܠܗ ܐܪܒܥ ܒܲܐܣܝ̈ܣ ܡܬܠ̈ܬܬܐ܃ ܘܡܬܩܪܝܐ ܢܘܼܪܢܝܐ
| that which has four triangular surfaces and is called a pyramid |
| bsys, bsysˀ | SbS 26:9 | ܗܿܘ ܡܐ ܕܐܝܬ ܠܗ ܬܪܥܣܪ ܒܲܐܣܝ̈ܣ ܡܚܡ̈ܫܬܐܼ܂ ܘܡܼܬܩܪܸܐ ܡܲܘܙܠܬܢܝܐ
| that (figure) that has twelve pentagonal bases and is called "celestial" (i.e. dodecahedron) |
| mḥmš, mḥmšˀ | SbS 26:9 | ܗܿܘ ܡܐ ܕܐܝܬ ܠܗ ܬܪܥܣܪ ܒܲܐܣܝ̈ܣ ܡܚܡ̈ܫܬܐܼ܂ ܘܡܼܬܩܪܸܐ ܡܲܘܙܠܬܢܝܐ
| that (figure) that has twelve pentagonal bases and is called "celestial" |
| [ˀysymrynws, ˀysymrynwn] | SbS 27:22 |
| |
| [msymbrynws] | SbS 27:23 | ܚܘܕܪܐ ܕܦܠܓܘܬ ܐܝܼܡܡܐ ܗܿܘ ܕܡܫܬܲܡܗ ܡܣܝܡܒܪܝܢܘܣ ܗ܊ ܕܦܠܓܘܬ ܛܗܪܐ
| the circle of half the day called "meridian", i.e., half daytime |
| zwdyˀqwn | SbS 29:10 |
| |
| ḥywtn | SbS 29:10 | ܙܘܕܝܐܩܘܢ ܗ܊ ܚܲܝܘܼܬܢܐ
| |
| ˀnnpwryqy | SbS 32:9 |
| |
| mˀtmṭyqwn, m)thmTyqy | SbS 7:1 |
| |
| mnyw, mnywtˀ | SbS 7:13 | ܥܿܒܕܐ ܠܐܪܝܬܡܲܐܛܝܩܝ܂ ܐܘܟܝܬ ܡܲܢܵܝܘܬܐ܂ ܗܿܝ ܕܝܿܕܥܐ ܠܟܝܢܐ ܕܡܢܼܝ̈ܢܐ
| it treats mathematics, that is m., that which knows about the nature of numbers |
| [tˀwlwgyqyˀ] | SbS 7:6 | ܬܐܘܠܘܓܝܩܝܬܐ ܕܡܝܐ ܠܐܪ̈ܙܐ
| (just as) theological (study) is similar to the mysteries |
| ytyr | SbS 8:12 | ܡܢܝܢܐ ܂܂܂ ܫܿܘܝܐ ܗܘ܂ ܐܘܿ ܝܲܬܝܼܪܐ
| a number is an even one or an odd one |
| ˁsyry | SbS 8:12 |
| |
| šwy | SbS 8:12 | ܡܢܝܢܐ ܂܂܂ ܫܿܘܝܐ ܗܘ܂ ܐܘܿ ܝܲܬܝܼܪܐ
| a number is an even one or an odd one |
| rkn, rknˀ | SbS 9:10, 16:20 |
| |
| mnh, mntˀ | SbS 9:11 | ܒܥܝܐ ܡܘܼܣܝܹܩܝ ܕܪܟܼܢܐ ܦܠܢ ܡܼܢ ܟܡܐ ܡܐܢ̈ܐ ܡܸܫܬܼܿܡܠܹܐ
| music asks how many tones (or: strings) is a certain melody completed from |
| gˀmṭryqws | SbS 9:2 |
| |
